tags: RollingStoneJapan202607

Part three of the interview looks at the Korean and Japanese club scenes, Japan’s collaboration between musicians and VJs, and artists currently inspiring the group, including PASOCOM MUSIC CLUB and yesterdayneverhappened. The members also discuss creating a playable three-second scene for YOASOBI’s “PLAYERS,” their “game animation” approach, and the influence of 2000s NEXON titles such… Continue reading Interview with Rolling Stone Japan, Part 3: Behind the YOASOBI Collaboration and the Intersection of the Korean and Japanese Club Scenes

Part two of the interview explores the sadness and beauty of disappearing memories at the heart of 『Memory Overdrive』, as well as the group’s musical shift from hip-hop and beat music toward drum and bass and jungle. The members also discuss their collaborative production process and the album’s circular structure, which returns from the closing… Continue reading Interview with Rolling Stone Japan, Part 2: 『Memory Overdrive』 and the Recurring Cycle of Memory

Seoul-based five-member creative collective Azikazin Magic World was interviewed by Rolling Stone Japan following the release of its first full-length album, 『Memory Overdrive』, and its first major visit to Japan. In part one, the five childhood friends discuss how they began creating together, their media mix approach across music, games, and animation, and their roots… Continue reading Interview with Rolling Stone Japan, Part 1: Korean Five-Member Collective Azikazin Magic World on the “Poignant Yet Beautiful Memories” Evoked by Music and Games